Fresh off a prestigious fine arts education in Philadelphia — including time at the Pennsylvania Academy of Fine Arts and the University of Pennsylvania — the artist was ready to make his mark on the East Coast art scene.

But during a quick visit home, a casual lunch at the University of Guam changed everything.

“An old friend mentioned a position opening at UOG, and I actually considered returning home,” Ric recalls. That conversation led to a teaching career that’s now spanned nearly three decades — and counting.

Today, Professor Ric Castro is one of Guam’s most accomplished working painters, known for vibrant landscapes, koi studies, and abstract “junglescapes” that explore water, reflection, and memory.

Finding His Medium

Ric started out as a successful graphic designer, working at top agencies on Guam in the 1980s. But something was missing.

“I was good at it, but my true passion was to be a fine artist,” he says.

That chance came through a full scholarship from the Inter-Pacific Fellowship, which allowed Ric to leave his job and train full-time as a painter in the U.S.

“I just told my boss at the time that this was something I’ve wanted to do for a long time,” Ric says. “I wouldn’t have quit if I didn’t win that scholarship.”

Layered Perspectives

Ric’s art blends memory and place, with deep roots in both island life and his exposure to East Coast city styles and European modernism.

He often works from field photos taken during hikes, translating the complexity of water — its layers, reflections, and transparency — into swirling, color-rich canvases.

“There’s something abstract about water. I love the idea of multiple planes — what’s underneath, what’s reflected, and what’s around it — all in one frame.”

That sense of visual depth invites viewers to look closer and ask questions. “Whether it frustrates you or you love it, I like that it sparks a dialogue,” he says.

Big G, Bigger Legacy

Among Ric’s most lasting contributions to UOG? The iconic “Big G” logo — a fusion of his graphic design roots and island imagery.

“The design committee liked the tribal look of University of Hawai‘i’s logo,” Ric explains. “So I thought, maybe I can make the ‘G’ look like a fish hook.” After dozens of hand-drawn drafts and help from his brother Ron, the Big G was born.

“It was just something I wanted to give back to the university,” he says. “And to see it on backpacks, merchandise, and emails — that’s something I’m really proud of.”

Art as Calling

Ric sees painting as more than craft — it’s purpose. “When I feel a painting is successful, I don’t credit myself. I credit the gift I was given,” he says.

Whether he’s guiding students, helping launch local exhibits, or building a body of work that’s both local and universal, Ric Castro is painting the kind of legacy he once dreamed about.

“I always say, whatever your gift is, you’ve got to find it and use it for good.”